Poetry Sunday: This Error is the Sign of Love (excerpt)

This Error is the Sign of Love

BY LEWIS HYDE

Man has to seek God in error and
forgetfulness and foolishness. —Meister Eckhart

This error is the sign of love,
the crack in the ice where the otters breathe,
the tear that saves a man from power,
the puff of smoke blown down the chimney one morning, and the
widower sighs and gives up his loneliness,
the lines transposed in the will so the widow must scatter
coins from the cliff instead of ashes and she marries
again, for love,
the speechlessness of lovers that forces them to leave it alone
while it sends up its first pale shoot like an onion
sprouting in the pantry,
this error is the sign of love.

The leak in the nest, the hole in the coffin,
the crack in the picture plate a young girl fills with her
secret life to survive the grade school,
the retarded twins who wander house to house, eating,
’til the neighbors have become neighbors.
The teacher’s failings in which the students ripen,
Luther’s fit in the choir, Darwin’s dyspepsia, boy children
stuttering in the gunshop,
boredom, shyness, bodily discomforts like long rows of white
stones at the edge of the highway,
blown head gaskets, darkened choir lofts, stolen kisses,
this error is the sign of love.

The nickel in the butter churn, the farthing in the cake,
the first reggae rhythms like seasonal cracks in a government
building,
the rain-damaged instrument that taught us the melodies of black
emotion and red and yellow emotion,
the bubble of erotic energy escaped from a marriage and a week
later the wife dreams of a tiger,
the bee that flies into the guitar and hangs transfixed in the
sound of sound ’til all his wetness leaves him
and he rides that high wind to the Galapagos,
this error is the sign of love.

The fault in the sea floor where the fish linger and mate,
the birthmark that sets the girl apart and years later she alone
of the sisters finds her calling,
Whitman’s idiot brother whom he fed like the rest of us,
those few seconds Bréton fell asleep and dreamed of a pit of sand
with the water starting to flow,
the earth’s wobbling axis uncoiling seasons—seeds that need
six months of drought, flowers shaped for the tongues
of moths, summertime
and death’s polarized light caught beneath the surface
of Florentine oils,
this error is the sign of love.

The beggar buried in the cathedral,
the wisdom-hole in the façade of the library,
the corners of the garden that are not harvested,
the hail storm in a South Dakota town that started the
Farmers’ Cooperative in 1933,
the Sargasso Sea that gives false hope to sailors and they sail
on and find a new world,
the picnic basket that slips overboard and leads to the invention
of the lobster trap,
the one slack line in a poem where the listener relaxes
and suddenly the poem is in your heart like a fruit
wasp in an apple,
this error is the sign of love!

 

 


 

Poetry Sunday: How to Foretell a Change in the Weather

How to Foretell a Change in the Weather

BY TED KOOSER

Rain always follows the cattle
sniffing the air and huddling
in fields with their heads to the lee.
You will know that the weather is changing
when your sheep leave the pasture
too slowly, and your dogs lie about
and look tired; when the cat
turns her back to the fire,
washing her face, and the pigs
wallow in litter; cocks will be crowing
at unusual hours, flapping their wings;
hens will chant; when your ducks
and your geese are too noisy,
and the pigeons are washing themselves;
when the peacocks squall loudly
from the tops of the trees,
when the guinea fowl grates;
when sparrows chip loudly
and fuss in the roadway, and when swallows
fly low, skimming the earth;
when the carrion crow
croaks to himself, and wild fowl
dip and wash, and when moles
throw up hills with great fervor;
when toads creep out in numbers;
when frogs croak; when bats
enter the houses; when birds
begin to seek shelter,
and the robin approaches your house;
when the swan flies at the wind,
and your bees leave the hive;
when ants carry their eggs to and fro,
and flies bite, and the earthworm
is seen on the surface of things.

Poetry Sunday: A Prayer in Spring

A Prayer in Spring

BY ROBERT FROST

Oh, give us pleasure in the flowers today;
And give us not to think so far away
As the uncertain harvest; keep us here
All simply in the springing of the year.

Oh, give us pleasure in the orchard white,
Like nothing else by day, like ghosts by night;
And make us happy in the happy bees,
The swarm dilating round the perfect trees.

And make us happy in the darting bird
That suddenly above the bees is heard,
The meteor that thrusts in with needle bill,
And off a blossom in mid air stands still.

For this is love and nothing else is love,
The which it is reserved for God above
To sanctify to what far ends He will,
But which it only needs that we fulfill.

Poetry Sunday: In the Month of May

In the Month of May

BY ROBERT BLY

In the month of May when all leaves open,
I see when I walk how well all things
lean on each other, how the bees work,
the fish make their living the first day.
Monarchs fly high; then I understand
I love you with what in me is unfinished.

I love you with what in me is still
changing, what has no head or arms
or legs, what has not found its body.
And why shouldn’t the miraculous,
caught on this earth, visit
the old man alone in his hut?

And why shouldn’t Gabriel, who loves honey,
be fed with our own radishes and walnuts?
And lovers, tough ones, how many there are
whose holy bodies are not yet born.
Along the roads, I see so many places
I would like us to spend the night.

Poetry Sunday: My Grandmother’s Ghost

My Grandmother’s Ghost

BY JAMES WRIGHT

She skimmed the yellow water like a moth,
Trailing her feet across the shallow stream;
She saw the berries, paused and sampled them
Where a slight spider cleaned his narrow tooth.
Light in the air, she fluttered up the path,
So delicate to shun the leaves and damp,
Like some young wife, holding a slender lamp
To find her stray child, or the moon, or both.
Even before she reached the empty house,
She beat her wings ever so lightly, rose,
Followed a bee where apples blew like snow;
And then, forgetting what she wanted there,
Too full of blossom and green light to care,
She hurried to the ground, and slipped below.

Poetry Sunday: Honey at the Table

Honey at the Table

BY MARY OLIVER

It fills you with the soft
essence of vanished flowers, it becomes
a trickle soft as a hair that you follow
from the honey pot over the table

and out the door and over the ground,
and all the while it thickens,

grows deeper and wilder, edged
with pine boughs and wet boulders,
pawprints of bobcat and bear, until

deep in the forest you
shuffle up some tree, you rip the bark,

you float into and swallow the dripping combs,
bits of the tree, crushed bees — a taste
composed of everything lost, in which everything
lost is found.

Poetry Sunday: Wild Peavines

Wild Peavines

BY ROBERT MORGAN

I have never understood how
the mountains when first seen by hunters
and traders and settlers were covered
with peavines. How could every cove
and clearing, old field, every
opening in the woods and even
understories of deep woods
be laced with vines and blossoms in
June? They say the flowers were so thick
the fumes were smothering. They tell
of shining fogs of bees above
the sprawling mess and every bush
and sapling tangled with tender
curls and tresses. I don’t see how
it was possible for wild peas
to take the woods in shade and deep
hollows and spread over cliffs in
hanging gardens and choke out other
flowers. It’s hard to believe the creek
banks and high ledges were that bright.
But hardest of all is to see
how such profusion, such overwhelming
lushness and lavish could vanish,
so completely disappear that
you must look through several valleys
to find a sprig or strand of wild
peavine curling on a weedstalk
like some word from a lost language
once flourishing on every tongue.

Poetry Sunday: Vegetable Love

Vegetable Love

BY BARBARA CROCKER

Feel a tomato, heft its weight in your palm,
think of buttocks, breasts, this plump pulp.
And carrots, mud clinging to the root,
gold mined from the earth’s tight purse.
And asparagus, that push their heads up,
rise to meet the returning sun,
and zucchini, green torpedoes
lurking in the Sargasso depths
of their raspy stalks and scratchy leaves.
And peppers, thick walls of cool jade, a green hush.
Secret caves. Sanctuary.
And beets, the dark blood of the earth.
And all the lettuces: bibb, flame, oak leaf, butter-
crunch, black-seeded Simpson, chicory, cos.
Elizabethan ruffs, crisp verbiage.
And spinach, the dark green
of northern forests, savoyed, ruffled,
hidden folds and clefts.
And basil, sweet basil, nuzzled
by fumbling bees drunk on the sun.
And cucumbers, crisp, cool white ice
in the heart of August, month of fire.
And peas in their delicate slippers,
little green boats, a string of beads,
repeating, repeating.
And sunflowers, nodding at night,
then rising to shout hallelujah! at noon.

All over the garden, the whisper of leaves
passing secrets and gossip, making assignations.
All of the vegetables bask in the sun,
languorous as lizards.
Quick, before the frost puts out
its green light, praise these vegetables,
earth’s voluptuaries,
praise what comes from the dirt.

 

Poetry Sunday: On the Eve of My Mother’s Surgery

On the Eve of My Mother’s Surgery

BY DAVID GRAHAM

She takes Dad, for a treat,
to the upstairs dining room,
where there are tablecloths
instead of bibs, waitresses
instead of nurses, where
all their joshing and arm-patting
make him grin like a seven
year old. But he knows where
he is, sleeping alone
for the first time in five
decades, and so he tells
Cindy in his halting
whisper all about Mom’s
operation, confessing
“And I’m no help at all!”
This to a seventeen year old
with pretty face, carving
his meat into helpful cubes.

Out of the heart of dementia
he speaks unanswerable
truths, often as not confiding
in some minimum-wage
Cindy or Dawn, whose parents
weren’t born when he sailed
the South Pacific in a troop ship
or cruised timber deep within
the Allagash. They will not
connect this man in diapers
with the one on horseback
in the snapshot marking his door.
At shift change they’ll gun their cars
up the hill, radios screeching
and thumping, all the day’s
bottled velocity released
like bees from the hive.

And it’s true he’s no help
anymore, stripped of his
pocketful of keys, man
without wallet or car,
who knows just enough
for honest misery
as he studies the menu’s
bewilderments, trying
to find the words that may
release. “I’m walking much
better now, don’t you think?”
he asks Mom, and that’s true, too.
which helps neither of them
at all in their frozen love.
Sudden as a cloud across
the sun, he’s overcast
again: “Keep your voice down!”
he warns her. He knows all about
the secret tunnel system
under the town, where Jews
and Mohammedans skirmish …

And how do I know all this?
Out of some bent need for shape
and color, blues and riffs,
I build it from echoes
on the phone line, fragments
crumbling from envelopes,
fever dream pond ripples
reaching me a thousand miles
away. Then let my daily tears
wash into shower spray
once again, tears which
are of no help at all.

Poetry Sunday: Lesson

Lesson 

BY STEVE STRAIGHT

Standing by the side of the road in Jenner, California,
hitchhiking. At least that is the idea.
So few cars pass that one may not stop today.
It’s sunny. Goats dispersed across the hillside behind me
chew their way up the green hill gradually, attentive.
The sea breeze carries phrases of seagull chatter
from below a cliff. In my pack are clothes, water,
oranges, three loaves of sourdough, peanuts, cheese.
Hung below the pack, a tent. I peel an orange,
tucking the continents of rind into a loose pocket.
Drops of juice fall onto the sand and on my boots.
A bee lands on the lip of a yellow blossom and walks
inside it. It emerges, dusted with pollen, drunk,
surprised by the generosity of light.