Poetry Sunday: from Las piedras del cielo/ Skystones

from Las piedras del cielo/ Skystones

BY PABLO NERUDA

X

I invite you to topaz,
to the yellow
the bees,
and the lump of honey
in the topaz,
to the gold day
and the familial
drone of tranquility:
here is a minimal
church, built in a flower
as the bee builds, as
the planes of the sun or the leaf
in autumn’s yellowest profundity,
a tree, incandescently
rising, beam over beam, a sunburst corolla,
insect and honey and autumn, all
transformed by the salts of the sun:
essence of honey, the tremulous world
and the wheat of the sky
that labored to accomplish
this sun-changed, at rest in the pallor of topaz

Poetry Sunday: So This Is Nebraska

So This is Nebraska

BY TED KOOSER

The gravel road rides with a slow gallop
over the fields, the telephone lines
streaming behind, its billow of dust
full of the sparks of redwing blackbirds.

On either side, those dear old ladies,
the loosening barns, their little windows
dulled by cataracts of hay and cobwebs
hide broken tractors under their skirts.

So this is Nebraska. A Sunday
afternoon; July. Driving along
with your hand out squeezing the air,
a meadowlark waiting on every post.

Behind a shelterbelt of cedars,
top-deep in hollyhocks, pollen and bees,
a pickup kicks its fenders off
and settles back to read the clouds.

You feel like that; you feel like letting
your tires go flat, like letting the mice
build a nest in your muffler, like being
no more than a truck in the weeds,

clucking with chickens or sticky with honey
or holding a skinny old man in your lap
while he watches the road, waiting
for someone to wave to. You feel like

waving. You feel like stopping the car
and dancing around on the road. You wave
instead and leave your hand out gliding
larklike over the wheat, over the houses.

Poetry Sunday: The Girl with Bees in Her Hair

The Girl with Bees in Her Hair

BY ELEANOR WILNER

came in an envelope with no return address;
she was small, wore wrinkled dress of figured
cotton, full from neck to ankles, with a button
of bone at the throat, a collar of torn lace.
She was standing before a monumental house—
on the scale you see in certain English films:
urns, curved drives, stone lions, and an entrance far
too vast for any home. She was not of that place,
for she had a foreign look, and tangled black hair,
and an ikon, heavy and strange, dangling from
an oversized chain around her neck, that looked
as if some tall adult had taken it from his,
and hung it there as a charm to keep her safe
from a world of infinite harm that soon
would take him far from her, and leave her
standing, as she stood now—barefoot, gazing
without expression into distance, away
from the grandeur of that house, its gravel
walk and sculpted gardens. She carried a basket
full of flames, but whether fire or flowers
with crimson petals shading toward a central gold,
was hard to say—though certainly, it burned,
and the light within it had nowhere else
to go, and so fed on itself, intensified its red
and burning glow, the only color in the scene.
The rest was done in grays, light and shadow
as they played along her dress, across her face,
and through her midnight hair, lively with bees.
At first they seemed just errant bits of shade,
until the humming grew too loud to be denied
as the bees flew in and out, as if choreographed
in a country dance between the fields of sun
and the black tangle of her hair.
Without warning
a window on one of the upper floors flew open—
wind had caught the casement, a silken length
of curtain filled like a billowing sail—the bees
began to stream out from her hair, straight
to the single opening in the high façade. Inside,
a moment later—the sound of screams.

The girl—who had through all of this seemed
unconcerned and blank—all at once looked up.
She shook her head, her mane of hair freed
of its burden of bees, and walked away,
out of the picture frame, far beyond
the confines of the envelope that brought her
image here—here, where the days grow longer
now, the air begins to warm, dread grows to
fear among us, and the bees swarm.

Poetry Sunday: If You Knew

If You Knew

BY ELLEN BASS

What if you knew you’d be the last
to touch someone?
If you were taking tickets, for example,
at the theater, tearing them,
giving back the ragged stubs,
you might take care to touch that palm,
brush your fingertips
along the life line’s crease.

When a man pulls his wheeled suitcase
too slowly through the airport, when
the car in front of me doesn’t signal,
when the clerk at the pharmacy
won’t say Thank you, I don’t remember
they’re going to die.

A friend told me she’d been with her aunt.
They’d just had lunch and the waiter,
a young gay man with plum black eyes,
joked as he served the coffee, kissed
her aunt’s powdered cheek when they left.
Then they walked a half a block and her aunt
dropped dead on the sidewalk.

How close does the dragon’s spume
have to come? How wide does the crack
in heaven have to split?
What would people look like
if we could see them as they are,
soaked in honey, stung and swollen,
reckless, pinned against time?

Poetry Sunday: Rapture

Rapture

BY RICHARD JONES

In the desert, a traveler
returning to his family
is surprised
by a wild beast.

To save himself
from the fierce animal,
he leaps into a deep well
empty of water.

But at the bottom
is a dragon, waiting
with open mouth
to devour him.

The unhappy man,
not daring to go out
lest he should be
the prey of the beast,

not daring to jump
to the bottom
lest he should be
devoured by the dragon,

clings to the branch
of a bush growing
in the cracks of the well.
Hanging upon the bough,

he feels his hands
weaken, yet still
he clings, afraid
of his certain fate.

Then he sees two mice,
one white, the other black,
moving about the bush,
gnawing the roots.

The traveler sees this
and knows that he must
inevitably perish, that he will
never see his sons again.

But while thus hanging
he looks about and sees
on the leaves of the bush
some drops of honey.

These leaves
he reaches with his tongue
and licks the honey off,
with rapture.

Poetry Sunday: Endangered Species

Endangered Species

BY EAMON GRENNAN

Out the living-room window
I see the two older children burning
household trash under the ash tree
in wind and rain. They move
in slow motion about the flames,
heads bowed in concentration
as they feed each fresh piece in, hair
blown wild across their faces, the fire
wavering in tongues before them
so they seem creatures
half flame, half flesh,
wholly separate from me. All of a sudden
the baby breaks slowly down
through the flexed branches of the ash
in a blaze of blood and green leaves,
an amniotic drench, a gleaming liver-purple
slop of ripe placenta, head first
and wailing to be amongst us. Boy and girl
look up in silence and hold gravely out
flamefeathered arms to catch her,
who lands on her back in their linked
and ashen hands. Later,
when I take her in my arms

for a walk to that turn on the high road
where the sea always startles, I can see
how at intervals she’s thunderstruck
by a scalloped green leaf, a shivering
jig of grassheads, or that speckled bee
that pushes itself among
the purple and scarlet parts
of a fuchsia bell. And her eyes are on fire.

Poetry Sunday: from Still Another Day

from Still Another Day

BY PABLO NERUDA

The days aren’t discarded or collected, they are bees
that burned with sweetness or maddened
the sting: the struggle continues,
the journeys go and come between honey and pain.
No, the net of years doesn’t unweave: there is no net.
They don’t fall drop by drop from a river: there is no river.
Sleep doesn’t divide life into halves,
or action, or silence, or honor:
life is like a stone, a single motion,
a lonesome bonfire reflected on the leaves,
an arrow, only one, slow or swift, a metal
that climbs or descends burning in your bones.

Poetry Sunday: Proverbial Ballade

Proverbial Ballade

BY WENDY COPE

Fine words won’t turn the icing pink;
A wild rose has no employees;
Who boils his socks will make them shrink;
Who catches cold is sure to sneeze.
Who has two legs must wash two knees;
Who breaks the egg will find the yolk;
Who locks his door will need his keys-
So say I and so say the folk.

You can’t shave with a tiddlywink,
Nor make red wine from garden peas,
Nor show a blindworm how to blink,
Nor teach an old racoon Chinese.
The juiciest orange feels the squeeze;
Who spends his portion will be broke;
Who has no milk can make no cheese-
So say I and so say the folk.

He makes no blot who has no ink,
Nor gathers honey who keeps no bees.
The ship that does not float will sink;
Who’d travel far must cross the seas.
Lone wolves are seldom seen in threes;
A conker ne’er becomes an oak;
Rome wasn’t built by chimpanzees-
So say I and so say the folk.

Envoi

Dear friends! If adages like these
Should seem banal, or just a joke,
Remember fish don’t grow on trees-
So say I and so say the folk.

Poetry Sunday: The Honey Bear

The Honey Bear

BY EILEEN MYLES

Billie Holiday was on the radio
I was standing in the kitchen
smoking my cigarette of this
pack I plan to finish tonight
last night of smoking youth.
I made a cup of this funny
kind of tea I’ve had hanging
around. A little too sweet
an odd mix. My only impulse
was to make it sweeter.
Ivy Anderson was singing
pretty late tonight
in my very bright kitchen.
I’m standing by the tub
feeling a little older
nearly thirty in my very
bright kitchen tonight.
I’m not a bad looking woman
I suppose     O it’s very quiet
in my kitchen tonight        I’m squeezing
this plastic honey bear      a noodle
of honey dripping into the odd sweet
tea. It’s pretty late
Honey bear’s cover was loose
and somehow honey      dripping down
the bear’s face   catching
in the crevices beneath
the bear’s eyes    O very sad and sweet
I’m standing in my kitchen     O honey
I’m staring at the honey bear’s face.

Poetry Sunday: It’s all I have to bring today (26)

It’s all I have to bring today (26)

BY EMILY DICKINSON

It’s all I have to bring today—
This, and my heart beside—
This, and my heart, and all the fields—
And all the meadows wide—
Be sure you count—should I forget—
Some one the sum could tell—
This, and my heart, and all the Bees
Which in the Clover dwell.