Poetry Sunday: Flash Cards

Flash Cards

 BY RITA DOVE

In math I was the whiz kid, keeper
of oranges and apples. What you don’t understand,
master
, my father said; the faster
I answered, the faster they came.

I could see one bud on the teacher’s geranium,
one clear bee sputtering at the wet pane.
The tulip trees always dragged after heavy rain
so I tucked my head as my boots slapped home.

My father put up his feet after work
and relaxed with a highball and The Life of Lincoln.
After supper we drilled and I climbed the dark

before sleep, before a thin voice hissed
numbers as I spun on a wheel. I had to guess.
Ten, I kept saying, I’m only ten.

Poetry Sunday: My mother was like the bees

My mother was like the bees

BY TED KOOSER

because she needed a lavish taste
on her tongue,
a daily tipple of amber and gold
to waft her into the sky,
a soluble heat trickling down her throat.
Who could blame her
for starting out each morning
with a swig of something furious
in her belly, for days
when she dressed in flashy lamé
leggings like a starlet,
for wriggling and dancing a little madly,
her crazy reels and her rumbas,
for coming home wobbly
with a flicker of clover’s inflorescence
still clinging to her clothes,
enough to light the darkness
of a pitch-black hive.

Natural Delights and Surprises = Crystalized Honey

Full of surprises and delight

I tell you, Reader, so many people have asked me about crystallized honey lately that I’ve decided to write about it.

First of all: Honey lasts forever. And I mean forever. As in eternity.

Second of all: The composition of honey may change over time.

Third: Raw honey changes more than pasteurized honey because raw honey contains good and natural surprises in it. Whereas pasteurized honey is stripped of these delights. Good and natural delights change over time. Which is what makes them good…and exciting. Right? The more we try to control change, the less fun we have in this life, Reader. Take it from me.

Fourth: The more tiny bits of natural surprises (such as pollen or wax) in the honey, the more little things there are on which crystals will begin to form. This has to do with science, and I’m not going into science here…let me simply say that the less your honey is strained and heated, the more bits of nature remain in it. And this is exactly why you want to buy local honey—honey that has not been stripped of its local pollen. Local pollen in your honey tastes like home. It also helps those who eat it develop immunities when it comes to local allergens.

Fifth: You want your honey cloudy with little specks of colorful pollen in it. You don’t want your honey clear and runny. You want your honey the way you want your bread or your rice…you want it dense with nature. Not white.

Sixth: So, we’ve established that it’s a good sign if your honey crystalizes because it’s a sign that you are eating closer to nature and the earth.

Seventh: Some of the blossoms on which the bees forage crystalize more quickly than others. So, if your honey crystalizes, it’s a sign that the nectar from which your honey comes was collected from a certain blossom at a specific time of the year. Which is very cool. It’s one of the bonuses of buying honey from a single hive as opposed to buying honey gathered from all over several unknown continents and mixed together and heated in a giant vat.

Eighth: The crystals are reversible. If your mouth prefers to eat your honey without crystals, simply heat the honey-containing jar slowly in a pan of water until the crystals disappear. Or set your jar in a sunny place.

We strain very little of the wonder from our honey. You can still taste the Ohio in it. Which means it will eventually crystalize. Because it is that awesome.

 

Poetry Sunday: Ox Cart Man

Ox Cart Man

BY DONALD HALL

In October of the year,
he counts potatoes dug from the brown field,
counting the seed, counting
the cellar’s portion out,
and bags the rest on the cart’s floor.

He packs wool sheared in April, honey
in combs, linen, leather
tanned from deerhide,
and vinegar in a barrel
hooped by hand at the forge’s fire.

He walks by his ox’s head, ten days
to Portsmouth Market, and sells potatoes,
and the bag that carried potatoes,
flaxseed, birch brooms, maple sugar, goose
feathers, yarn.

When the cart is empty he sells the cart.
When the cart is sold he sells the ox,
harness and yoke, and walks
home, his pockets heavy
with the year’s coin for salt and taxes,

and at home by fire’s light in November cold
stitches new harness
for next year’s ox in the barn,
and carves the yoke, and saws planks
building the cart again.

Poetry Sunday: my dreams, my works, must wait till after hell

my dreams, my works, must wait till after hell

BY GWENDOLYN BROOKS

I hold my honey and I store my bread
In little jars and cabinets of my will.
I label clearly, and each latch and lid
I bid, Be firm till I return from hell.
I am very hungry. I am incomplete.
And none can tell when I may dine again.
No man can give me any word but Wait,
The puny light. I keep eyes pointed in;
Hoping that, when the devil days of my hurt
Drag out to their last dregs and I resume
On such legs as are left me, in such heart
As I can manage, remember to go home,
My taste will not have turned insensitive
To honey and bread old purity could love.

Poetry Sunday: Beyond the Red River

Beyond the Red River

BY THOMAS MCGRATH

The birds have flown their summer skies to the south,
And the flower-money is drying in the banks of bent grass
Which the bumble bee has abandoned. We wait for a winter lion,
Body of ice-crystals and sombrero of dead leaves.

A month ago, from the salt engines of the sea,
A machinery of early storms rolled toward the holiday houses
Where summer still dozed in the pool-side chairs, sipping
An aging whiskey of distances and departures.
Now the long freight of autumn goes smoking out of the land.
My possibles are all packed up, but still I do not leave.
I am happy enough here, where Dakota drifts wild in the universe,
Where the prairie is starting to shake in the surf of the winter dark.

Poetry Sunday: Bees of Eleusis

Bees of Eleusis

BY FRANZ WRIGHT

Unless a grain of wheat goes into the ground and dies, it remains nothing but a grain of wheat.
—John 12:24

The ingredients gathered, a few small red tufts of the dream spoor per sheaf of Demeter’s blonde wheat, reaped in mourning, in silence, ground up with the pollen and mixed into white wine and honey. These stored forms of light taken under the ground. Taken by mouth. First those who by birth hold in secret the word; then placed on the tongues of the new ones, into whose ears it is meant to be whispered. Word murdered, forgotten so long ago, placed as a kiss on the lips of the soon-to-be-no-longer breathing who mean to enter death with open eyes, with mouths saying Death, what death? We have no word for it in our country where the bride of a brighter oblivion reigns. Not the purple-haired god but the child queen, the raped girl, come back from the dead hand in hand with the child she conceived there, returned in a resurrected virginity, wind through green wheat. Present-day site of a minor refinery in Christ. Although by the tenth generation already the children of light (“in their dark garments”) had trampled and smashed and generally raped the two thousand years of this precinct and its holy meal, intolerable mirror. Men who’d designed and bowed down to a law derived from the sayings of one who appeared here to say that the law is abolished, it is too late, all that is over with. Men who bungled their way through the next eighteen centuries before finally descending into the earth themselves, and what they found there they used, and we thank you for destroying the destroyers of the world. And here at the end this is as good as any other entrance to the underplace, journey of the fallen leaf back to the branch, to the bees of Eleusis among olive blossoms, untroubled among crimson wildflowers. Four thousand years later: same flowers, same bees.

Poetry Sunday: from Las piedras del cielo/ Skystones

from Las piedras del cielo/ Skystones

BY PABLO NERUDA

X

I invite you to topaz,
to the yellow
the bees,
and the lump of honey
in the topaz,
to the gold day
and the familial
drone of tranquility:
here is a minimal
church, built in a flower
as the bee builds, as
the planes of the sun or the leaf
in autumn’s yellowest profundity,
a tree, incandescently
rising, beam over beam, a sunburst corolla,
insect and honey and autumn, all
transformed by the salts of the sun:
essence of honey, the tremulous world
and the wheat of the sky
that labored to accomplish
this sun-changed, at rest in the pallor of topaz

What I Learned at Chlo’s Lemonade Stand

You remember the Brazee bees, don’t you, Reader? According to Deb (and to me, and to everyone else we’ve let anywhere near any of the honey), the Brazee bees have produced the season’s most delicious honey. Bar none.

But this post isn’t necessarily about honey…it’s about last night’s “Bees and Beethoven at Brazee” Party of Note to benefit the Cincinnati Symphony Orchestra. Sandy Gross, the owner and brain and heart and nerve behind the wonderful Brazee Street Studios asked me to share a little bit about honeybees with the party goers, and I was happy to do it. It was delightful…perhaps because we gathered outside in the Prairie area beneath a rising blue moon and we talked about bees. After that, we visited the two Brazee hives before watching JW May create a gorgeous honeybee in the new hot shop glass-blowing studio.

It was a sweet night…all the hor d’oeuvres were ever-so-slightly drizzled with honey produced by the Brazee bees; Sandy’s family and I dressed in yellow-and-black bee-appropriate attire; and I met some really nice new people. It wasn’t boring as so many parties are.

Chlo sells pink lemonade

But I have to tell you, my favorite part of the night was discovering Sandy and John’s daughter’s lemonade stand. Chlo is in first grade this year, and from the moment I met her (in April, when we installed the bees), I liked her. You know how you do, Reader? Well, there she was last night, sitting perfectly on a little stool behind her pink lemonade. She’d strategically opened for business outside the big open doors of the hot shop from which billowed intense heat, and her sign read: Lemonade, 1 cent. Party goers stood in line for it.

I had no money in my pocket at this point, Reader…not even a single penny. And how do you ask for a nice glass of ice-cold lemonade without paying for it?! So I sat through much of the glass-blowing demonstration dreaming of pink lemonade. Seriously. At some point, Chlo came to me and asked me if I wanted a glass of lemonade. I confessed to her that all I could think about was pink lemonade. All night…pink lemonade in a clear cup. She poured a nice glass of it for me. The clear cup she gave me frosted with coolness. It was perfect…absolutely delicious…probably because she’d been so sweet to seek me out and offer it.

We visited. I told Chlo that I thought she was showing interest in becoming a business woman. She agreed. I asked her if she knew yet what kind of business she hoped to establish. And, Reader, do you know what she said? She sort of shrugged and said, “Lemonade?” She said it as if it were a question. And I thought, well, yes, why the heck not lemonade?! I don’t know of a single world-famous lemonade business, so it seems to me the field is wide open for a dynamo.

And I learned a great lesson from Chlo: Why always look to the future when you’ve got a great thing going on right this minute? And why seek to be a world-famous operation? Why not simply enjoy yourself as you provide lemonade to the thirsty people standing right in front of you at the moment, and let the rest take care of itself?

Chlo’s dad says she’s talked for some time about a lemonade stand. And there she was, making her dream a reality. As we talked, she asked her mother if she could sell lemonade at that spot on Saturdays; together, they worked out a plan: Yes, she could sell lemonade on Saturdays so long as an adult was with her. And she could sit right there at the entrance to the hot shop where there’s a steady weekend traffic of thirsty glass blowers and passersby—Chlo nodded as if to say, Yep, this is definitely gonna work out.

 

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Sandy Gross and John Hutton in honeybee party attire
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Her other shoe is a flower
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JW May's honeybee...blown in glass. (And broken. Occupational hazard)